Fong Fong Fiona

Abstract: Paganini is an outstanding representative of the early and late romantic music. He is a god in the violin class. His technology and creation can be regarded as the historical peak of the violin, and no one has surpassed Paganini's writing and playing skills.Later generations to commemorate the great violinist and violin composer, put his name as the world's highest level of violin international competition, namely Paganini violin international competition, will win the honor violinist to have the opportunity to play master Paganini used with hundreds of years of antique piano, but at most just faster time and space and Mr Paganini “spiritual dialogue”, find the shadow of Mr Paganini, these award-winning violinist is still no one can surpass master Paganini. Paganini's greatest is that he opened up a new chapter of violin composition form, he in addition to the unique 24 whimpso, also adapted the opera, composed the theme of variations, fantasy, romantic representative piano genius master Liszt also to Paganini's superb playing skills, and several violin works into piano works, the third violin concerto was also named the most famous bell.The 20th century pianist Lakmaninov also has a great reverence for Paganini's unprecedented superb playing skills, and according to Paganini's work style created “Paganini Rhapsody and theme variation” by the 20th century classic Seventy Years as the beginning and end of the theme song.This excellent dialogue with Paganini was passed on by later generations and expressed by people's memory for the master.

Keywords: Paganini concerto, violin background, research musical characteristics

[1] Yibo Sheng. On the violin playing skills in Paganini whimsy [J]. House of Drama, 2023, (30): 47-49. [2] Xiaotong Zhao. “Paganini theme” in piano works [D]. Xi'an Conservatory of Music, 2023. [3] Yaqi Yang. The musical context of Brahms’ Paganini (two volumes) [J]. Art, 2023, (14): 37-40.

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