Guoqing Ji,Jinhua He

The contemporary French writer Jean Echenoz's novel Les Grandes Blondes exhibits a distinct cinematic narrative style. By skillfully integrating film techniques into the literary context—such as montage, sound-image counterpoint, and nonlinear storytelling—Echenoz achieves a fusion of literature and cinematic techniques. This paper will discuss its unique narration style from the perspective of interdisciplinary studies of literature and film, which may enrich literary experience with cinematic narration.

Jean Echenoz; Les Grandes Blondes; cinematic narration; montage

[1] This paper uses the Chinese translation by An Shaokang.Only the title and corresponding page number are indicated in the following citations.See:Les Grandes Blondes/(French)Jean Echenoz;translated by An Shaokang.-Changsha:Hunan Literature and Art Publishing House,2017.11(Echenoz collection;6). [2] "Jean Echenoz:Novels Are Often Exiled,but They Always Survive."China Writer,11 Dec.2017,www.chinawriter. com.cn/n1/2017/1211/c405057-29698731.html. [3] Li,Xiaomei."Dynamics,Metaphor,and Dimension Elevation:Narrative Design in Visual Communication." Decoration,no.9,2021,pp.29–33. [4] He,Jia."Picasso's Eye:The Reshaping of Time in Recent Nonlinear Film Narratives."Contemporary Cinema,no.8,2021,pp.150–157. [5] Luo,Yingfang."The Application of Nonlinear Narration in Modernist European and American Literature to Film Art."Sichuan Drama,no.6,2021,pp.14–17.

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